Noctis Studio Book a date
A couple in silhouette, foreheads together mid-dance under paper lanterns at a dark wedding reception

Noctis Studio — Cinematic Photography Atelier

Stillness, shot like cinema.

Weddings, editorial and commercial photography — composed in available light, graded by hand in the dark. Eighteen weddings a year. No more.

Contact sheet

Selected Works

FR 01 / 07

Vintage film camera resting on a dark tabletop beside spent rolls of film
Analogue Still Life Frame Quarterly commission · 2024
Portrait of a woman glancing over her shoulder in soft window light
Ondine SS25 Editorial, London · 2025
Portrait of a man in a cap standing against a ribbed metal shutter
Portrait Study Deptford · 2024
A camera suspended in mid-air above an outstretched hand, bare woodland behind
Kit Test Epping Forest · 2025
An empty studio floor: softboxes, an overhead rig and a white cyclorama
Stage One Greatorex Street · 2023
A vintage rangefinder camera in a leather case, its strap coiled around it
Archive Still Studio, London · 2024

What we take on

Three disciplines.
One grade.

  1. Weddings

    One day, told as a film. We document from first light to last dance — two photographers, primes only, no flash unless the night demands it. We take eighteen weddings a year so every edit gets the darkroom time it deserves.

    From £4,800
    18 commissions / year

  2. Editorial

    Portraits and fashion stories for magazines — and for people who behave like them. Concept, casting support and on-set art direction included, with retouch supervised in-house so the grade never leaves the building.

    From £2,900
    2–3 week turnaround

  3. Commercial

    Campaigns for hotels, ateliers and product houses that prefer shadow to gloss. Full usage licensing written in plain English, motion stills available on request, delivery mastered for print and screen.

    From £7,600
    Licensing included

Mara Ellingsen shooting handheld at blue hour, city lights out of focus behind her
Mara Ellingsen Founder & lead photographer

The atelier

We keep the lights off for a reason.

Noctis began in 2016 in a former print darkroom off Brick Lane, when cinematographer Mara Ellingsen stopped waiting for feature work and started shooting weddings the way she lit films — slowly, in whatever light the day offered.

A decade on, the darkroom is still the heart of the studio. Every commission — a vow in Provence, a cover for Mono Journal, a winter campaign for a Highlands hotel — passes through the same hands and the same grade: blacks that are built rather than crushed, skin that looks like skin, and nothing that will embarrass you in thirty years.

The atelier is Mara, producer Tomás Ferreira, and printer Iris Kowalczyk. Nobody else touches your frames.

Mara Ellingsen — Founder, Noctis Studio

How a commission runs

Scout. Shoot.
Grade. Deliver.

  1. Scout

    We walk every location before we raise a camera — light studies at the exact hour of your event, weather contingencies, a shot map you will never notice being executed.

    2–4 weeks out

  2. Shoot

    Two photographers, three bodies, primes only. We work quiet and close; most subjects forget we are in the room by the second hour. That is when the real frames happen.

    The day itself

  3. Grade

    Every selected frame is hand-graded against a print reference in the darkroom. No presets, no batch actions — the shadows are placed one frame at a time.

    Weeks 4–6

  4. Deliver

    A private gallery, a museum-grade box of twenty-five fibre prints, and a film-frame contact sheet of the entire edit — numbered, like the one above.

    Weeks 8–12

Awards and press

  • Lumen Awards — Gold, 2025
  • Frame Quarterly — Cover, Issue 41
  • The Wed Edit — Top 50 Studios
  • Mono Journal — Feature, 2024
  • Aperture North Prize — Shortlist

Written on the back of the prints

Client captions

“Our wedding stills made my mother cry twice — once at the frames, once when she realised she couldn’t remember a camera being there.”

Camille Fontaine — married Gordes, 2025

“The only studio I have ever commissioned that delivered a grade darker than my brief. They were right.”

Priya Nair — Creative Director, Ondine

“Noctis shot our entire winter campaign in available light. Bookings for the Edinburgh property rose 31% the month it ran.”

Tom Aldous — Head of Brand, Meridian Hotels

Plain numbers, no asterisks

Packages

The Short

£2,900

A half-day editorial or portrait session, run like a small film shoot.

  • Four hours, one location
  • Sixty hand-graded frames
  • Private gallery for twelve months
  • Personal print rights included
  • Delivery in three weeks
Request The Short

The Director’s Cut

£7,600

Multi-day and destination commissions, or full commercial campaigns.

  • Three days of coverage
  • European travel included
  • Full print box and parents’ albums
  • Priority grade — six weeks
  • Commercial licensing available
Request The Cut

Dates are held for seven days from enquiry. A 25% retainer confirms the commission; the balance is due four weeks before the shoot.

Booking

Tell us about
your date.

We reply within two working days. If we cannot take your date, we will point you to someone who can — and mean it.

Rows of instant prints pegged to a board above film canisters and handwritten cards

Studio14 Greatorex Street
London E1 5NF, United Kingdom

Telephone+44 20 7946 0821

Emailbook@noctisstudio.co

HoursTuesday–Saturday, 10:00–18:00
Viewings by appointment only

No mailing lists. Your enquiry goes straight to Mara and Tomás.