The Short
£2,900
A half-day editorial or portrait session, run like a small film shoot.
- Four hours, one location
- Sixty hand-graded frames
- Private gallery for twelve months
- Personal print rights included
- Delivery in three weeks
Noctis Studio — Cinematic Photography Atelier
Weddings, editorial and commercial photography — composed in available light, graded by hand in the dark. Eighteen weddings a year. No more.
Contact sheet
What we take on
One day, told as a film. We document from first light to last dance — two photographers, primes only, no flash unless the night demands it. We take eighteen weddings a year so every edit gets the darkroom time it deserves.
Portraits and fashion stories for magazines — and for people who behave like them. Concept, casting support and on-set art direction included, with retouch supervised in-house so the grade never leaves the building.
Campaigns for hotels, ateliers and product houses that prefer shadow to gloss. Full usage licensing written in plain English, motion stills available on request, delivery mastered for print and screen.
The atelier
Noctis began in 2016 in a former print darkroom off Brick Lane, when cinematographer Mara Ellingsen stopped waiting for feature work and started shooting weddings the way she lit films — slowly, in whatever light the day offered.
A decade on, the darkroom is still the heart of the studio. Every commission — a vow in Provence, a cover for Mono Journal, a winter campaign for a Highlands hotel — passes through the same hands and the same grade: blacks that are built rather than crushed, skin that looks like skin, and nothing that will embarrass you in thirty years.
The atelier is Mara, producer Tomás Ferreira, and printer Iris Kowalczyk. Nobody else touches your frames.
Mara Ellingsen — Founder, Noctis Studio
How a commission runs
We walk every location before we raise a camera — light studies at the exact hour of your event, weather contingencies, a shot map you will never notice being executed.
Two photographers, three bodies, primes only. We work quiet and close; most subjects forget we are in the room by the second hour. That is when the real frames happen.
Every selected frame is hand-graded against a print reference in the darkroom. No presets, no batch actions — the shadows are placed one frame at a time.
A private gallery, a museum-grade box of twenty-five fibre prints, and a film-frame contact sheet of the entire edit — numbered, like the one above.
Written on the back of the prints
“Our wedding stills made my mother cry twice — once at the frames, once when she realised she couldn’t remember a camera being there.”
“The only studio I have ever commissioned that delivered a grade darker than my brief. They were right.”
“Noctis shot our entire winter campaign in available light. Bookings for the Edinburgh property rose 31% the month it ran.”
Plain numbers, no asterisks
£2,900
A half-day editorial or portrait session, run like a small film shoot.
Most booked
£4,800
A full wedding day, first light to last dance, told end to end.
£7,600
Multi-day and destination commissions, or full commercial campaigns.
Dates are held for seven days from enquiry. A 25% retainer confirms the commission; the balance is due four weeks before the shoot.
Booking
We reply within two working days. If we cannot take your date, we will point you to someone who can — and mean it.
Studio14 Greatorex Street
London E1 5NF, United Kingdom
Telephone+44 20 7946 0821
Emailbook@noctisstudio.co
HoursTuesday–Saturday, 10:00–18:00
Viewings by appointment only